artistic CV
ceramics training
2025- Old St Luke’s Studio, Gundaroo (Moraig McKenna)
2020- Canberra Potters
Altered forms (Maryke Henderson); Tableware (Chris Harford); Electric and Gas Kiln Licences; Beginner, Continuing, Glaze courses (Anna O’Neale, Georgie Bryant, Joey Burns)
Short courses / Masterclasses
2025 Aaron Scythe (Canberra Potters)
2024 Prue Venables (Slow Clay Centre, VIC); Kazuya Ishida, Rob Linigen (Canberra Potters); Simon Levin (Balmoral Pottery, NSW)
John Dix (online)
2023 Malcolm Greenwood (Stoker Studio, VIC); Akira Satake and Ken Matsuzaki (online); Jann Kesby (Anagama, Sturt Craft Centre, NSW)
awards and recognition
2023 Canberra Potters’ Student/Teacher Exhibition (Best surface decoration)
2020 Tea master, Chadô Urasenke (artistic name: So’i 宗衣)
2017 Japanese Foreign Minister’s Citation
exhibitions
2026 VESSELS: Contemporary Australian ceramics with Sogetsu Ikebana QLD (Makers’ Gallery, Brisbane)
2025 Canberra Potters’ Members’ Exhibition
2024 Canberra Potters’ Student/Teacher + Members’ Exhibitions
2023 Canberra Potters’ Student/Teacher Exhibition
curation and design
2026 ‘The Essence of Tea’: curated Tea presentation and conversation with Euan Craig
Skepsi Gallery @ Malvern ‘The Essence of Clay’ Exhibition, Euan Craig and John Dermer OAM
2019 OBJECTively, ANU Japan Institute + SOAD, National Museum of Australia
2014 Fushiki-an, Contemporary Japanese Tea room in Australian materials
(with Philip Leeson and Rob Henry (architects): Thor’s Hammer (recycled Australian timber) and Hiroshi Yamaguchi, Koitoya)
1997 Australian Teawares, Tsuta Gallery, Tokyo (with Margaret Price)
1996 Australian Teawares, Australian Embassy, Tokyo (with Margaret Price)
arts writing, press and publications
2019 Introduction, OBJECTively: Connecting Australia and Japan (ANU) 9-11
2000 Review: The Japanese Way of Tea: From Its Origins in China to Sen Rikyu, Pacific Affairs, Vol. 73, No. 4, pp. 605-607
1995 `Tea and Australian Identity’, Migration Action Vol XXVII (3) 20
films and videos
2023 Teabowls: the aesthetics of ‘feel’ (Alistair Whyte)(15:00)(direction and editing)
2022. Invitation to Tea (2:38)(Script and editing)
opening exhibitions
2025 Canberra Potters 50th anniversary Members’ Exhibition
2021 Golden Shells and the Gentle Mastery of Japanese Lacquer, Collection of Dr Pauline Gandel AC, National Gallery of Victoria,
service
2024- President and Board Chair, Canberra Potters’ Society Inc./Watson Arts Centre ACT
practice development
2025 - Evolve and Evolve Next Level (Amy Kennedy)
ceramics teaching
2025 Interpreter/teaching assistant, Canberra Potters Masterclass (Masaru Nishikawa)
memberships
2026- Craft + Design Canberra
2025- The Australian Ceramics Association
Strathnairn Arts, ACT
2020- Canberra Potters’ Society Inc.
potter’s mark
My potter’s mark (紅) (beni or crimson) is the first part of my name in Chinese characters: 紅露仁香. In Japanese, you can read the characters phonetically as ‘Beronika’. They are also a visual poem: ‘a flash of crimson (kimono underskirt) and the fragrance that lingers as a figure passes through the dewy garden’.